CinePrint Studio

Film emulation PowerGrades and LUTs for Davinci Resolve, Adobe Premiere, Final Cut Pro, and more

Photometrically profiled from real 35mm motion picture film stock

Fashion models in desert scene with vintage kodak film emulation color grade

Available as

ColorChecker Classic chart with 24 color patches arranged in a grid, used for color calibration in photography and printing.

Complete Collection:
All PowerGrades & LUTs

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Color checker chart with 24 colored squares in rows, including browns, pastels, primary, secondary, and neutral shades, used for color calibration.

Davinci YRGB
PowerGrades

Color checker chart with 24 squares displaying various colors including browns, pinks, blues, greens, reds, yellows, purples, and grays.

Davinci Color Managed
PowerGrades

ColorChecker Classic color calibration chart with 24 color patches arranged in a grid, used for calibration and color correction in photography.

LUTs

Create timeless, Unforgettable Visuals Using the organic color science of Classic Cinema

About

CinePrint Studio is a collection of film emulation PowerGrades & LUTs that allows filmmakers and colorists to accurately recreate authentic celluloid film looks.

The film emulations were developed by Los Angeles based cinematographer Tom Bolles in an extensive camera test of various film stocks and digital cameras shot in August, 2025.

The PowerGrades come in .drx format for use in Davinci Resolve, while the LUTs are compatible with any software that supports the standard .cube LUT format, such as Adobe Premiere, Final Cut Pro X, Avid Media Composer, Davinci Resolve, and more.

Professional Film Emulation — Built by Filmmakers, For Filmmakers

man and woman sat in front of 35mm movie camera for film color grading test
Arriflex 435 film camera with Kodak 500T and 27mm Zeiss master prime lens
man and woman sitting in front of film camera in red lighting for film emulation color test
four 400ft rolls of 35mm Kodak motion picture film including EXR 500T 5298

Supported Cameras

Included are custom-tuned preset PowerGrades & LUTs for the following cameras & log profiles:

  • ARRI LogC3 cameras

  • ARRI LogC4 cameras

  • iPhone Apple Log

  • iPhone Apple Log 2

  • Sony S-Log3 cameras

  • Blackmagic Design Film Gen5 cameras

  • RED IPP2 Log3G10 cameras

  • Fuji F-Log cameras

  • Fuji F-Log2 cameras

  • Fuji F-Log2C cameras

  • Nikon N-Log cameras

  • Canon C-Log cameras

  • Canon C-Log 2 cameras

  • Canon C-Log 3 cameras

  • Panasonic V-Log cameras

  • DJI D-Log cameras

Also included are PowerGrades designed for:

  • Rec.709, non-log footage

  • Cameras not listed above are supported by the ‘OTHER CAMERA’ preset using Resolve’s Color Space Transform OFX.

    • Examples include: Sony S-Log2 with Sony S-Gamut and legacy Blackmagic color science

two models in front of arri alexa camera for color grading LUT creation
Fotokem film lab boxes with original negatives and film scans
models posing in front of Arri camera in blue lighting for professional LUT color testing
Boxes of 35mm Eastman Kodak EXR 500T 5298

All of the film for CinePrint Studio was developed and scanned at Fotokem, the very same film lab that all major productions shooting on film in Hollywood go to. Fotokem is the film lab used by many iconic movies still shooting on film such as: The Odyssey, One Battle After Another, Sinners, Oppenheimer, The Hateful Eight, Anora, Licorice Pizza, Once Upon a Time in Hollywood, Interstellar, and more. Using Fotokem as the film lab for CinePrint Studio ensures the photochemical & scanning color science of the emulations are of the highest, industry standard quality.

Compatibility

The PowerGrades are 100% native to Davinci Resolve. No additional plug-ins or resources required. They are compatible with the MacOS, Windows, and iPad versions of Davinci Resolve.

The LUT version is compatible with editing software like Adobe Premiere, FCPX, Avid, and more.

The YRGB PowerGrades are designed for standard Rec.709 workflows.

The Color Managed PowerGrades enable use with HDR displays and workflows.

All the PowerGrades use DaVinci Wide Gamut / Intermediate timeline color space.

Color graded cineon log film scan of two people filmed on 35mm Kodak EXR 500T 5298 with a print film emulation LUT

FILM STOCKS

CinePrint Studio comes with 12 main looks that were made from scans of 4 unique film stocks

The film stocks profiled were:

  • Kodak Ektachrome 100D 5294 35mm

  • Kodak EXR 500T 5298 35mm

  • Kodak Vision3 500T 5219 35mm

  • Kodak Vision3 250D 5207 35mm

Ektachrome was first released in 1946 and EXR 500T in 1994. These classic films have vintage looks:

Macbeth color chart for LUT creation filmed on 35mm Kodak Ektachrome 100D film stock

What You Get

The YRGB PowerGrade download comes with:

  • Ektachrome, EXR, 500T, and 250D film emulation PowerGrades for 16+ supported cameras & log profiles

    • Designed for standard Rec.709 viewing & display

    • Implements textural features like halation and grain. The node tree is fully customizable.

  • On Set Monitoring LUTs + User Guide PDF

The Color Managed PowerGrade download comes with:

  • Ektachrome, EXR, 500T, and 250D film emulation PowerGrades for 16+ supported cameras & log profiles

    • Support for HDR viewing & display

    • Implements textural features like halation and grain. The node tree is fully customizable.

  • On Set Monitoring LUTs + User Guide PDF

The LUT download comes with:

  • Ektachrome, EXR, 500T, and 250D film emulations in .cube LUT format for 16+ supported cameras & log profiles

    • Designed for standard Rec.709 viewing & display

    • Comes with x65 LUTs for color grading, and x33 LUTs for monitoring on set

    • LUTs cannot store textural features, so external solutions must be used for grain, etc.

  • On Set Monitoring LUTs + User Guide PDF

CinePrint Studio Ektachrome

Photometrically profiled from Kodak Ektachrome 100D film stock

After many years of being discontinued, this film stock was famously revived back into production by Kodak for use in the HBO series Euphoria. It is a high contrast reversal stock with a unique, rich color response. Just like the film pipeline used in Euphoria, the Ektachrome emulation in CinePrint Studio was cross processed as a negative in ECN-2 chemistry at Fotokem film lab in Los Angeles. This method of processing Ektachrome was also used on movies like Buffalo ‘66, Clockers, and Domino. CinePrint Studio has 2 Ektachrome profiles, providing distinct highlight rendering options for this high contrast stock.

  • iphone apple log film emulation in Morocco color graded in Davinci Resolve

    iPhone Apple Log footage

  • Old lady sitting near window with cinematic film print LUT

    Arri Alexa 35 LogC4 footage

  • Fashion models against desert backdrop, soft cinematic lighting

    Arri Alexa LogC3 footage

  • Medium close up on man surrounded by foliage

    Panasonic V-Log footage

  • Man talking on phone in prison visitation with steely blue film color grade

    Blackmagic Raw Gen 5 footage

  • Children playing in a clear mountain lake in Germany, color graded with kodak ektachrome film emulation

    Canon Log footage courtesy of Elise Schatz

  • Portrait of woman with old Hollywood glamour lighting

    Blackmagic Raw Gen 5 footage

  • Beautiful mountain view in the Swiss Alps

    Sony S-Log3 footage

  • Tourists on a street in paris

    Sony S-Log3 footage

  • Man posing with red house in front of mountain

    Fuji F-Log2C footage courtesy of Ethan Tran

  • Man in suit color graded with cinematic Kodak Ektachrome film emulation

    RED Log3G10 footage courtesy of Jack Grove

  • Traditional Japanese Geisha woman in kimono color graded with Kodak Ektachrome film LUT

    Blackmagic Gen 5 footage

  • Kings Canyon National Park view of Painted Lady Peak from Rae Lakes

    iPhone Apple Log footage

  • Young woman in yellow dress sitting in window

    Sony S-Log3 footage

  • Woman in fur coat in the mountains

    Panasonic V-Log footage

  • Woman in mime clothing in front of red curtain

    Blackmagic Raw Gen 5 footage

  • Cashier clerk in blue shirt

    Arri Alexa LogC3 footage

  • Two women standing next to vines and flowers

    Sony S-Log3 footage

  • Valencia Opera House

    iPhone Apple Log footage

  • Girl taking a selfie in pink bedroom

    Sony S-Log3 footage

  • Portrait of young woman colored with Kodak Ektachrome film emulation

    Canon Log 2 footage courtesy of Gabe Sheets

  • Sheep in Morocco

    iPhone Apple Log footage

  • View of the Roman forum ruins

    iPhone Apple Log footage

  • Woman dancing filmed with Freefly high speed camera, colored with Davinci film emulation

    Freefly Wave high-speed camera

CinePrint Studio EXR

Photometrically profiled from Kodak EXR 500T 5298 film stock

This film stock from the 90’s is not made anymore. Discontinued over two decades ago, it is very hard to find well-preserved rolls. It was used as a high speed stock for low light shooting on movies like Independence Day, Braveheart, Heat, Mission Impossible, Eyes Wide Shut, Apollo 13, Lost Highway, Star Trek: First Contact, GoldenEye, The English Patient, Twister, Harry Potter & The Prisoner of Azkaban, The Talented Mr. Ripley, and more. Although the film stock is no longer produced, the emulation helps keep the photochemical color science of this stock alive & accessible to a new generation of filmmakers.

CinePrint Studio has 2 different EXR profiles, each providing unique renderings of contrast & saturation.

  • A young man with glasses and curly red hair, wearing a dark jacket and white shirt, appears surprised or intrigued in a dark setting.

    Arri Alexa LogC3 footage

  • Profile of woman lying in bed as a man lies next to her, vintage 90s 35mm film stock emulation colors

    RED Log3G10 footage courtesy of Tate Stüssy

  • Medieval knight near a river

    Arri Alexa LogC3 footage

  • View from a church tower showing the city of Paris with rooftops, buildings, and trees, and a partial view of the church’s ornate dome in the foreground.

    Sony S-Log3 footage

  • Man staring out at scenic mountain view

    Fuji F-Log2C footage courtesy of Ethan Tran

  • Modern living room in Hollywood Hills

    Arri Alexa LogC3 footage

  • Woman lying down wearing pink dress and black gloves

    Blackmagic Raw Gen 5 footage

  • Family watching sailboats by the water

    iPhone Apple Log

  • Santa Monica beach with vintage Kodak film emulation color grade LUT

    RED Log3G10 footage courtesy of Jack Grove

  • Man in crowd smiling and applauding

    Arri Alexa LogC3 footage

  • Portrait of woman with warm & cool cinematic lighting

    Blackmagic Raw Gen 5 footage

  • Woman and dog on balcony

    Arri Alexa LogC3 footage

  • Cinematic scene of man and woman dueling with katana swords, colored with grainy film look

    Blackmagic Raw Gen 5 footage

  • A young woman with brown hair and blue eyes standing on a balcony of a tall building in Paris with the Eiffel Tower visible in the background, kodak film emulation color grade

    Sony S-Log3 footage

  • A crowd of tourists around a medieval castle at the beach, vintage film stock color grading

    iPhone Apple Log footage

  • Actress in dressing room with vanity mirror with cold steely cinematic color grade

    Arri Alexa 35 LogC4 footage

CinePrint Studio 500T

Photometrically profiled from Kodak Vision3 500T 5219 film stock

This stock is perhaps the most widely used & flexible film stock currently made by Kodak today. It has extremely high dynamic range and is the go-to choice for low light filming, grain texture, and mixed lighting scenarios. Compared to the previous CinePrint35 emulation, CinePrint Studio 500T has significant improvements in quality & accuracy, especially in skin tones & highly saturated colors.

  • Woman in white dress in dark forest with cinematic lighting

    Arri Alexa Log C3 footage

  • Ballerina dancing in smoky living room

    Blackmagic Raw Gen 5 footage

  • Kings Canyon National park view of mountain

    iPhone Apple Log footage

  • Portrait of young woman at night with glowing lights in the background, colored with 16mm kodak 500T film emulation

    RED Log3G10 footage courtesy of Tate Stüssy

  • Man walking up to red house in the mountains

    Fuji F-Log2C footage courtesy of Ethan Tran

  • Woman fixing car color graded with Kodak professional 35mm film emulation

    Canon Log 2 footage courtesy of Gabe Sheets

  • Boy sitting at the edge of a blue mountain lake in Germany, color graded with kodak print film emulation

    Canon Log footage courtesy of Elise Schatz

  • Fencing practice in a room with giant windows

    Arri Alexa LogC3 footage

  • Woman standing in the shade

    Panasonic V-Log footage

  • Lisbon archway and square

    iPhone Apple Log footage

  • Woman in car with hair blowing in the wind color graded with 35mm film look

    RED Log3G10 footage courtesy of Will Bonnell

  • Woman sitting in an empty theater with warm lighting and vintage film emulation color grade

    Arri Alexa 35 LogC4 footage

  • Movie set moody dinner table scene

    Arri Alexa LogC3 footage

  • Man in blue shirt sitting in chair, warm cinematic film color grade

    Arri Alexa 35 LogC4 footage

  • Large ballroom with piano

    Arri Alexa LogC3 footage

  • Man, woman, and son watch a ship at the harbor, colored like 35mm Kodak film

    iPhone Apple Log footage

  • Blonde woman in swimsuit on the beach

    Blackmagic Raw Gen 5 footage

  • Spanish style house in the hollywood hills, vibrant film colors

    Arri Alexa 35 LogC4 footage

  • Woman in music recording studio with red light

    Arri Alexa LogC3 footage

CinePrint Studio 250D

Photometrically profiled from Kodak Vision3 250D 5207 film stock

This stock strikes the balance of light sensitivity vs grain texture for shooting daylight scenes. Compensating for the white balance difference, it is a very high dynamic range stock that matches closely with 500T, but with slight differences in its tone curves. CinePrint Studio 250D has significant improvements in quality and accuracy of skin tones & high saturation colors compared to CinePrint35.

  • Tourists at the Coliseum in Rome

    iPhone Apple Log footage

  • Fashion model posing in front of mountains

    Arri Alexa LogC3 footage

  • Woman in white dress sitting by window with soft cinematic light color graded with kodak print film 2383 LUT

    Blackmagic Raw Gen 5 footage

  • Swiss alps family bed and breakfast inn

    Sony S-Log3 footage

  • Vintage old 70s school stairwell

    Arri Alexa LogC3 footage

  • Man smiling in front of window

    Sony S-Log3 footage

  • Children running in green meadows under a clear blue sky, professional 35mm film stock color grade

    Canon Log footage courtesy of Elise Schatz

  • Woman running towards ocean at tropical beach

    Blackmagic Raw Gen 5 footage

  • Princess with cinematic spotlight in front of floral background

    Blackmagic Raw Gen 5 footage

  • Man playing red guitar in cinematic lighting

    Blackmagic Raw Gen 5 footage

  • Woman in the gym training

    Arri Alexa LogC3 footage

  • Man and women smiling and having fun in sunny desert colored with warm kodak film look

    RED Log3G10 footage courtesy of Will Bonnell

  • Woman standing in front of mountain

    Arri Alexa LogC3 footage

  • Woman watching sunset at the beach

    Arri Alexa LogC3 footage

The Node Tree

Compared to the node tree of CinePrint35, the node tree in CinePrint Studio has been consolidated & streamlined into compound nodes for cleaner organization and simplicity.

There is still a lot going on under the hood, so users wanting to go in-depth can still decompose the compound nodes and customize the individual parameters of the node tree to suit their workflow

A digital flowchart of nodes showing different steps in a color grade. Each block is connected by green and blue arrows. It is a screenshot of Davinci Resolve color grading software.

Image Pipeline breakdown:

  1. TO LOGC: All cameras are matched to the color response of an Arri Alexa

  2. PRE: Initial color corrections in camera / scene space can be made prior to the film negative being applied

  3. The film emulation is applied. Each emulation consists of parameters designed to match the original 35mm film scan.

    • Adjustments include: RGB matrices for matching primaries, overall Luma curve match, per channel RGB tone curve mapping, edge saturation mapping, and hue angle & density mapping

  4. POST: Now that the film stock is fully applied, color grading done here is similar to working with an actual film scan.

  5. OUTPUT: The image is output for display either as a positive print film look, or as gamma corrected telecine.

Better color science, Better film Emulation

It is common for colorists to use Davinci Resolve’s built-in 2383 print film emulation LUT on log footage from digital cameras in order to incorporate the filmic color response of Kodak’s 2383 print film. However, the 2383 PFE LUT expects a film scan input, so unless the digital footage is graded to precisely match the color response of a real film scan, the 2383 print LUT will produce less desirable results, falling short of a true film look.

A woman in athletic clothing holding a barbell and a walking stick inside a modern building with large windows and an outdoor view of trees and hills, cinematic color grade

Arri Alexa LogC3 footage → CinePrint Studio 250D film emulation

A woman in workout clothes holding dumbbells in one hand and a resistance band in the other, standing inside a modern house with large glass windows and a scenic mountain view outside, film emulation color grade

Arri Alexa LogC3 footage → Kodak 2383 print film emulation LUT

Notice how in the first image the greens are less lively, the skin tones feel plastic, and the highlight roll-off is not as smooth. Meanwhile, the second image yields a more accurate and pleasing result because the footage is prepared to look like a real film scan before being output to the 2383 print LUT.

CinePrint Studio elevates digital footage to a highly accurate film look by recreating the density, saturation, and color response of real cineon log film scans before outputting to a print LUT.

A young woman in athletic clothing walking with a white dumbbell in her right hand, inside a modern building with large glass windows overlooking a scenic outdoor view.

Arri Alexa LogC3 footage → Davinci Resolve Film Look Creator (35mm “Cinematic” film stock)

A woman in athletic clothing holding a ring weights while standing in a modern indoor space with floor-to-ceiling windows and an outdoor view of trees and hills, vintage kodak colors

Arri Alexa LogC3 footage → CinePrint Studio 250D film emulation

Davinci added their own Film Look Creator OFX in a recent update. There are certainly some nice textural & geometric features within, but unfortunately the actual color science is not accurate to any real world film stocks. Film Look Creator does not emulate a real film negative the way CinePrint Studio does. The five built-in “film stocks” in Film Look Creator suffer from a similar issue as using the Kodak 2383 LUT by itself—while they may replicate singular aspects of a film system, they are not accounting for the complex interplay & synergy between components like the negative and the print.

Notice how the skin tones from Film Look Creator do not feel as full, whereas the skin tones from CinePrint Studio are more naturalistic with more life to them.

A woman with dark skin and curly hair looks to the side against a background of sky and clouds.

Arri Alexa LogC3 footage → Davinci Resolve Film Look Creator (35mm “Cinematic” film stock)

Close-up of a woman with dark, curly hair, wearing a black top with a patterned strap, standing outdoors during sunset or dusk, 35mm film colors

Arri Alexa LogC3 footage → CinePrint Studio 250D film emulation

Let’s take a closer look, now with a different camera:

Panasonic GH5 V-Log footage → Rec.709

Panasonic GH5 V-Log footage → Kodak 2383 print film emulation LUT

Panasonic GH5 V-Log footage → CinePrint Studio 250D film emulation

Accurately emulating the film negative is what really brings the print alive. There is far more vitality and richness to the skin tones, no more clinical digital feel.

Outside of print looks, there are other ways to process a film negative. CinePrint Studio comes with simple curve output options that give you a look similar to a telecine, or a manually graded negative scan:

Panasonic GH5 V-Log footage → CinePrint Studio EXR M (gamma corrected negative) film emulation

A young African American woman with curly hair styled in a half-up, half-down look, wearing a black tank top with silver straps, gazing thoughtfully into the distance outdoors during a sunset.

Arri Alexa LogC3 footage → CinePrint Studio EXR M (gamma corrected negative) film emulation

What about Davinci’s built in Film Look Creator?

Frequently Asked Questions

  • The PowerGrades are native to Davinci Resolve. They are .drx files that will load a pre-saved node tree into your Davinci project.

    If you are using software other than Davinci Resolve, you should get the LUT version of CinePrint Studio

  • The film emulation LUTs are compatible with all filmmaking software that supports the standard .cube LUT format like Adobe Premiere, Final Cut Pro X, Adobe After Effects, Avid Media Composer, Davinci Resolve, Sony Vegas, Blender, Cinema 4D, The Foundry Nuke, Autodesk Flame, and more.

  • Yes, you can use the PowerGrades in the free version of Davinci Resolve.

    However, the Grain effect is limited to the Studio version, so you will need to disable the Grain node and use another solution for grain like overlays.

    • If you use software other than Davinci Resolve, you should get the LUTs

    • If you use Davinci Resolve and need HDR deliverables or color managed workflows, get the Color Managed PowerGrades

    • If you use Davinci Resolve and only need standard Rec.709 delivery, get the YRGB PowerGrades

    • If you use multiple softwares and want maximum flexibility and compatibility, get CinePrint Studio Complete (All PowerGrades + LUTs)

    • The YRGB PowerGrades are designed specifically for the Rec.709 Gamma 2.4 standard. If you do not need HDR, the YRGB PowerGrades are recommended. They are best suitable for typical deliverables & platforms like YouTube, Vimeo, Social Media, Broadcast, and the vast majority of viewing applications.

    • The Color Managed PowerGrades support HDR formats, and working in a color managed project, meaning Input Device Transforms and Display Rendering Transforms are applied internally by Davinci instead of manually implemented by the user.

  • The PowerGrades and the LUTs have been designed and custom tuned to support the following cameras:

    • ARRI LogC3 cameras

    • ARRI LogC4 cameras

    • iPhone Apple Log

    • iPhone Apple Log 2

    • Sony S-Log3 cameras

    • Blackmagic Design Film Gen5 cameras

    • RED IPP2 Log3G10 cameras

    • Fuji F-Log cameras

    • Fuji F-Log2 cameras

    • Fuji F-Log2C cameras

    • Nikon N-Log cameras

    • Canon C-Log cameras

    • Canon C-Log 2 cameras

    • Canon C-Log 3 cameras

    • Panasonic V-Log cameras

    • DJI D-Log cameras

    • Rec.709, non-log footage

    Cameras not listed above are supported in the PowerGrade versions by the ‘OTHER CAMERA’ preset using Resolve’s Color Space Transform OFX.

    • Examples include: Sony S-Log2 with Sony S-Gamut and legacy Blackmagic color science

  • CinePrint Studio comes with 12 main looks that were made from scans of 4 unique film stocks

    The film stocks profiled were:

    • Kodak Ektachrome 100D 5294 35mm

    • Kodak EXR 500T 5298 35mm

    • Kodak Vision3 500T 5219 35mm

    • Kodak Vision3 250D 5207 35mm

    The 12 main looks are:

    Print Looks

    • CinePrint Studio 250D Print

    • CinePrint Studio 500T Print

    • CinePrint Studio EXR Print

    • CinePrint Studio EXR Alt Print

    • CinePrint Studio EKTA Print

    • CinePrint Studio EKTA Alt Print

    Manually corrected negative looks

    • CinePrint Studio 250D M

    • CinePrint Studio 500T M

    • CinePrint Studio EXR M

    • CinePrint Studio EXR Alt M

    • CinePrint Studio EKTA M

    • CinePrint Studio EKTA Alt M

  • CinePrint Studio is a newer film emulation solution with improved color science, plus the addition of two new film stocks that were not available in CinePrint35 (Ektachrome and EXR film stocks).

    CinePrint Studio is designed for Davinci Wide Gamut / Intermediate, and has support for HDR workflows, whereas CinePrint35 is designed for Rec.709 display-referred grading only.

True Photochemical Film Emulation

UnlOCK GREATER DEPTH AND COLOR

CREATE TIMELESS VISUALS

AND TELL YOUR STORY

With CinePrint Studio

SHOP CINEPRINT STUDIO

Need more film stocks?

Check out the Fuji Eterna Vivid 160T 35mm film emulation included in CinePrint35:

CinePrint35 Film Emulation PowerGrades for Davinci Resolve
CinePrint35 Film Emulation PowerGrades for Davinci Resolve
$68.99

CinePrint35 is a collection of film emulation PowerGrades for Davinci Resolve.

Achieve realistic 16mm and 35mm film looks using the fully customizable node trees.

The digital download comes with 500T, 250D, and 160T film emulations for 14+ supported cameras & log profiles, plus On Set Monitoring LUTs, and an in-depth User Guide pdf.

Supported cameras/log profiles include:

  • ARRI LogC3 cameras

  • Apple Log (iPhone)

  • Sony S-Log3 cameras

  • Blackmagic Design Film Gen5 cameras

  • RED IPP2 Log3G10 cameras

  • RED IPP2 Log3G10 (Komodo tuned)

  • Fuji F-Log cameras

  • Fuji F-Log2 cameras

  • Canon C-Log, C-Log 2, and C-Log 3 cameras

  • Panasonic V-Log cameras

  • DJI D-Log cameras

  • Rec.709 non-log footage

  • All other cameras supported with a Color Space Transform OFX

CinePrint Studio Film Emulation

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