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Tom Bolles | Cinematographer
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Narrative
Commercial / Music Video
Selected Work
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CinePrint35 Film Emulation
Color Work
Photography
Gallery
PhotoVogue
Instagram
About
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Tom Bolles | Cinematographer
Reel
Narrative
Commercial / Music Video
Selected Work
Color
CinePrint35 Film Emulation
Color Work
Photography
Gallery
PhotoVogue
Instagram
About
0
0
Folder: Reel
Back
Narrative
Commercial / Music Video
Selected Work
Folder: Color
Back
CinePrint35 Film Emulation
Color Work
Folder: Photography
Back
Gallery
PhotoVogue
Instagram
About
CinePrint35 Film Emulation CinePrint35 Film Emulation LUTs
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CinePrint35 sample image.jpg
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Screenshot 2024-07-08 at 1.04.18 PM.jpg
CinePrint35 sample image.jpg
Screenshot 2024-07-08 at 5.38.02 AM (4).jpg

CinePrint35 Film Emulation LUTs

$57.00

Included are the 500T, 250D, and 160T film emulation LUTs (at x65 and x33 resolution) with individual versions specifically designed for the color science of the following cameras & log profiles:

  • ARRI LogC3 cameras

  • Apple Log (iPhone)

  • Sony S-Log3 cameras

  • Blackmagic Design Film Gen5 cameras

  • RED IPP2 Log3G10 cameras

  • RED IPP2 Log3G10 (Komodo tuned)

  • Fuji F-Log cameras

  • Fuji F-Log2 cameras

  • Canon C-Log, C-Log 2, and C-Log 3 cameras

  • DJI D-Log cameras

  • Panasonic V-Log cameras

  • Rec.709 non-log footage

The emulations are compatible with all standard video editing software that supports LUTs, including Adobe Premiere, Adobe After Effects, Final Cut Pro, Avid Media Composer, Davinci Resolve, and Sony Vegas

Add To Cart

Included are the 500T, 250D, and 160T film emulation LUTs (at x65 and x33 resolution) with individual versions specifically designed for the color science of the following cameras & log profiles:

  • ARRI LogC3 cameras

  • Apple Log (iPhone)

  • Sony S-Log3 cameras

  • Blackmagic Design Film Gen5 cameras

  • RED IPP2 Log3G10 cameras

  • RED IPP2 Log3G10 (Komodo tuned)

  • Fuji F-Log cameras

  • Fuji F-Log2 cameras

  • Canon C-Log, C-Log 2, and C-Log 3 cameras

  • DJI D-Log cameras

  • Panasonic V-Log cameras

  • Rec.709 non-log footage

The emulations are compatible with all standard video editing software that supports LUTs, including Adobe Premiere, Adobe After Effects, Final Cut Pro, Avid Media Composer, Davinci Resolve, and Sony Vegas

Included are the 500T, 250D, and 160T film emulation LUTs (at x65 and x33 resolution) with individual versions specifically designed for the color science of the following cameras & log profiles:

  • ARRI LogC3 cameras

  • Apple Log (iPhone)

  • Sony S-Log3 cameras

  • Blackmagic Design Film Gen5 cameras

  • RED IPP2 Log3G10 cameras

  • RED IPP2 Log3G10 (Komodo tuned)

  • Fuji F-Log cameras

  • Fuji F-Log2 cameras

  • Canon C-Log, C-Log 2, and C-Log 3 cameras

  • DJI D-Log cameras

  • Panasonic V-Log cameras

  • Rec.709 non-log footage

The emulations are compatible with all standard video editing software that supports LUTs, including Adobe Premiere, Adobe After Effects, Final Cut Pro, Avid Media Composer, Davinci Resolve, and Sony Vegas

tombolles1@gmail.com

Cinematographer / Director of Photography